Rule # 3: Plotting

Dictionary.Com defines plot as the, "plan, scheme, or main story of a literary or dramatic work." In other words, it's what's happening. As you'll soon discover, that's a lot more complicated than it sounds.

 All writing is categorized as either plot-driven or character-driven, and while neither plot nor characters can stand alone (there's always going to be something going on and it's always going to be initiated by someone and acting on someone), some authors rely extensively on one technique or the other to say what they want to say. Of course, there's nothing that says you can't find a balance between the two, and in all honesty, this is the approach I prefer to take. The choice is up to you, and really, it will be determined by your purpose in writing and audience more than anything.

Have you ever read a book with so many twists and turns that you found it difficult to describe to someone who hadn't read it? You struggled to recall the names of the characters or found it difficult to say what was so remarkable about them, but the actual events of the story were well-imagined and thought-provoking. This is a great example of plot-driven writing. If it plays out like a movie in your mind, it very likely fits in this category. That may sound like a simplistic explanation, but think about it. Movies can't really delve into the nuances of characterization like books can.

The flip side of the coin is a book with astounding characters. the plot is defined not by events unfolding outside the characters' lives. Rather, the action is tied up with the characters and their motivations, and it is these motivations that move the story forward.

The two methods can also be combined. Sometimes a book begins very plot-driven but becomes more character-driven as it progresses. Sometimes the plot and characterization work to define one another throughout.

Just because writing can take any form doesn't exempt you as author from being aware of what you've chosen to do and why.

Ask yourself these questions to get a feel for your emphasis:

1. Why am I writing?
2. Who am I writing for?
3. If I took out the current characters, would I still have the same story?

It may happen that you don't know if you've got a predominantly plot-driven or character-driven piece of writing on your hands until you spend some time fleshing out your story. Recognizing which method of storytelling you're tending to prefer can do you a favor, even as it creates extra work. Having a focus allows you to fine-tune everything in your story to your purpose in writing. And that focus shows, whether your realize it or not.

Being aware of the forces that drive your plot is important. I would argue that it's a good thing to have in the back of your head as you take those moments of inspiration and memorable experiences in hand, like the clay that they are, and work them into something usable.